Thoughts and Updates on Repertoire |
Wednesday, September 04, 2019 |
Beethoven's 250th. The movement has begun (#Beethoven2020) - sounds like a damn presidential campaign for classical composers heh. For sure, L.v. Beethoven is one of the greats and probably the most well-known. His pieces are powerful, majestic and grand. I'm sure there are musicians who have performed Beethoven quite astoundingly throughout the world. Here is a website for Beethoven's playlist, recordings and "Top Ten Facts":
Might I add to the "Top Ten Facts" or "Fun Facts" is that Bill & Ted once "borrowed" Beethoven via a telephone booth for their history report haha.
On a serious note, I have my modest recording or rendition of Piano Sonata No. 15 (arguably my favorite) and a medley. More to come hopefully, although not soon (No. 2 or No. 5 perhaps).
Sunday, August 18, 2019 |
I'll be uploading Chopin's Nocturnes next (one or two at a time). They are all melodic and beautiful, but I have to say that Op. 27 No. 2 is the most beautiful and probably the most complex of them all. This is musical bliss or heaven for sure. The pieces are known for or characterized by complex phrasing with an odd-type ratio, where are there much more notes (decorative notes?) to be played on the right-hand than the left in a given measure. They are difficult to play evenly or at tempo sometimes, but it takes practice. I think there is somewhat of a leeway in precision playing, but it is imperative that a pianist gets the gist of it at the very least (if it's not way off).
Friday, August 09, 2019 |
Some possibilities for the next recording:
F. Chopin, Nocturne Op. 32. No. 2
F. Chopin, Nocturne Op. 37 No. 2
F. Chopin, Nocturne Op. 27 No. 2
F. Chopin, Nocturne (Posthumous) Op. 72 No. 1
F. Mendelssohn, Folksong Op. 53 No. 5
F. Mendelssohn, Six Children's Pieces (select)
L.v. Beethoven, Piano Sonata No. 2 (still in progress, perhaps further down the road)
Wednesday, September 04, 2019 |
Beethoven's 250th. The movement has begun (#Beethoven2020) - sounds like a presidential campaign for classical composers haha. Anyway, Beethoven is certainly one of the greats - his repertoire his majestic, powerful and grand. I'm sure there are musicians who have performed or recorded Beethoven from all over the world quite astoundingly. Here is the website for a playlist, recordings and "fun facts":
Might I add to the "fun facts" is that Bill & Ted "borrowed" Beeth-oven for their history report haha.
On a serious note, my modest recording or rendition of Piano Sonata No. 15 (arguably my favorite) and a medley on my Beethoven composer page. Hopefully, some more later (No. 2 or No. 5).
Tuesday, May 28, 2019 |
What I've been working on this month: Beethoven Piano Sonata's No. 2, No. 4, and No. 7. Also, more Rachmaninoff - the next recording / upload might perhaps be a "Moments Musicaux" piece.
I have to say that No. 15 is one of my favorite Beethoven Sonatas, if not arguably the favorite. The third movements of the Sonatas seem to be more difficult than the first two (I guess that depends), but each movement has its own character and unfolds like a story. There can be new melodies and dynamics, and they can get intricate and complex. But through it all - it all comes together harmoniously and melodically. Although some might seem a bit odd or unorthodox (atypical for Sonatas), that's what makes them unique and challenging.
Wednesday, April 10, 2019 |
I've been working on or refining the K. 281, 284 and 310 pieces, among others but as mains. It's been fun re-learning these and who knows, perhaps I'll be inspired to record / upload one or some of them. For sure, K. 511 piano solo piece is about ready to record / upload - most likely after some Beethoven Sonata movements.
Music is something to be shared by all, not always for competition. It's good to have a competitive spirit, but everyone (one would hope heh) can bring a unique perspective or interpretation to a piece or song (as long as you have a fundamental understanding or mastered the fundamentals / music first - that should be minimal). It can be on a social media platform such as instagram, or a personal site. If you have a career in music, all the more opportunities and avenues to share them.
The melodies to "Promise of the World" from Howl's Music Castle and the Chocobo them from Final Fantasy are also worthwhile and enjoyable.
Sunday, December 16, 2018 |
This year has been mainly about refining or re-polishing some previous repertoire, as well as adding some new ones (Studio Ghibli). I felt accomplished in that sense, but there's still more to learn, grow and to be creative about things. Coming up with, and recording more medleys, for example. It never happened, but that kind of project would take awhile. The idea of becoming the "Classical Medley" guy crossed my mind, but there has not been much development with that - so far, only two brief ones.
For next year, I feel that I'll have to get some Beethoven to record and upload (one movement per video). There's only that medley video on it, and I've been practicing and playing quite a few full Sonatas the past few months. Also, Schubert's four Imprompu's. After refining and getting into the Sonatas, other melodies feel less inspiring. But I'm sure I'll get back into it. A repertoire would never be complete without Schubert.
I'll decide on a few Sonatas, and might mentioned them here. Or just as a surprise. And as usual, finding an inspiring piece or two that would be quick to learn or memorize (if at all). The next uploads for now:
Mendelssohn, Song Without Words Op. 102 No. 3
J. Hisaishi, Merry-Go-Round of Life, Howl's Moving Castle
I feel that I've reached a certain level where I can naturally feel or know the music without trying too hard or overthinking (other than sight-reading - always could do that). Of course, it doesn't end there. It's always a learning and growing experience to become even more refined and find ways to improve even more. A lot of it has to do with finger and hand strengthening, as well as better focus and concentration. And of course, being passionate about it. I didn't have that earlier in my life, and I let my emotions take over - too much of it is never a good thing and can make playing messy and incompehensible. The next step is to figure out how to relax more. I still suffer from anxiety, and relaxation is important to either playing or performing. Nerves can affect everyone, but some can deal with it calmly or it can overwhelm someone.
Saturday, November 10, 2018 |
Now I'm at a crossroads in terms of decisions. I have some Beethoven Sonata movements ready, but they are not entirely memorized if at all. It's about time to record and upload a new one, but if I have to use the sheet music - I'll have to be careful about the page turning so as not to cause a pause or a stop in the music. It always has to be a seamless transition with fluidity and smoothness. I don't want to spend money on a tablet. Perhaps one movement at a time, but for now - there are no plans until I can figure it out.
The "Waldstein" is certainly a challenging Sonata. They all are, but some more so than others.
It's always nice to go back to Studio Ghibli music - there are still two left I'd like to record and upload. "Waltz of Chihiro" from "Spirited Away" - a piano arrangement of the orchestral score and "On a Clear Day" from "Kiki's Delivery Service" which is also Waltz-like.
Saturday, October 20, 2018 |
After some thought, I might record a few Schumann pieces for now. Currently, the repertoire I've been practicing is this:
F. Liszt - "Danse Macabre"
F. Mendelssohn - "Scherzo a Capriccio"
F. Mendelssohn - "Rondo Capricioso"
L.v. Beethoven - Select Piano Sonatas
W.A. Mozart - K.511
And other pieces here and there. In any endeavor, you have to have a passion for it. Eventually, it should become instinctual and you let the music flow naturally from within. You can teach what's written on paper, but you can't teach passion or talent.
I read that Mendelssohn was a meticulous composer, yet he just brushed off the "Songs without Words" pieces as trivial. Although a lot of the melodies or melodic structures have that familiarity with other composers, they are still standalone pieces worthy of playing or performing. In that sense, we should take ownership in that regard nonetheless, and play them as something meaningful.