Thoughts and Updates on Repertoire |
Monday, January 18, 2021 |
J.S. Bach Sinfonia No. 15 - the finale that ends or completes the "Three-Part Inventions". As brief as it is, this sort of stands out with its fast passages and some cross-overs! Crossing of hands is usually not easy, unless you're used to it or experienced with it. It is more common with the "Goldberg Variations", not so much with J.S. Bach's other pieces (at least not in his Fugues or these pieces).
Re-visiting and polishing / finishing off the entire "Three-Part Inventions" has helped a lot - and should continue to play them. Working on another Fugue or two. But onto another composer for the next recordings. J.S. Bach has become a permanent mainstay in my repertoire or practice sessions for sure.
A recap of all 15 Inventions forthcoming.
Tuesday, January 12, 2021 |
J.S. Bach Sinfonia No. 12 - this was just as difficult as No. 8. I'm not sure how to describe this piece, except just - fun. My Journey with the Three-Part Inventions is almost complete, with saving No. 15 being the finale, quite fitting.
I should reminisce or recap the entire Three-Part Inventions afterwards, and listing my favorites. For now, it's No. 14.
Saturday, January 09, 2021 |
What a practice the other day. I believe Liszt's "Un Sospiro" is coming along finally. Eventually. I want to find more Rachmaninoff pieces - besides the standard Preludes (they are nice, but overplayed if you ask me). The Moments Musical ones for instance - love the Op. 16 No. 1.
No. 12 and No. 15 are the final two to upload for the "Three-Part Inventions". To say that Mozart's Piano Sonata No. 14's third movement has one of the most emotionally, impactful sections of all would just be my opinion or from my own experiences / interpretations. It definitely hits me all the time. I would go as far as to say that it is "unresolved" sounding, just leaves you feeling with that ache. J.S. Bach has plenty as well, and re-visiting the composer has been an awakening experience (which should have happened long ago). The originator of many beautiful melodies and intricate passages.
Monday, January 04, 2021 |
J.S. Bach Sinfonia No. 8 - I felt that this was the trickiest, or the most difficult to learn or play out of all the Sinfonias. My left hand just wouldn't cooperate for the longest time. But once you get it down, it's quite fun. Perky, bouncy, playful. Kind of Fugue-like. In learning any piece, it is imperative to have the desire or to be motivated / inspired to. And to learn with patience and poise.
Wednesday, December 30, 2020 |
J.S. Bach Sinfonia No. 10 - another brisk, energetic piece. Relentless right hand arpeggios. Sort of like an extension or Part II of Sinfonia No. 1.
The difficulty in this is the fingering. There are certain passages or sections where it is necessary for proper fingering. It is usually the case where you use what is most comfortable for you to play it smoothly. But for No. 10, I think switching from thumb to pinkie (finger 1 to finger 5) quickly / smoothly is needed for particular sections. I'm sure there are other pieces like that.
Sunday, December 27, 2020 |
J.S. Bach Sinfonia No. 5 - the "ornament" piece, or at least there is a version of it. I opted for this, since it gave the piece more personality. The trick is to play ornaments lightly without compromising the underlying melodic lines. Ornaments have been one of my weak points, as well as pedal management. Well - practicing this helped a bit. I would say J.S. Bach was the "master of ornamentation".
Tuesday, December 22, 2020 |
J.S. Bach Sinfonia No. 13 - sounds mischievous and playful. This is another tricky, intricate piece - but nice rhythms or beats in certain sections.
I plan to re-upload Rachmaninoff's Variation 18 from Rhapsody on a Paganini theme again at some point.
Wednesday, December 16, 2020 |
Happy 250th - Ludwig Van Beethoven. I had a practice session awhile ago dedicated to the Piano Sonatas. Today, it was No. 6, No. 7 and a favorite - No. 15. Speaking of which, the third movement for No. 15 video recording should be soon.
I've been focused on J.S. Bach recently, which has given me a newfound appreciation and interest for the composer.
Monday, December 14, 2020 |
J.S. Bach Sinfonia No. 1 - The first piece of 15 Three-Part Inventions. Energetic, brisk and fitting as an introduction.
J.S. Bach Sinfonia No. 2 - What a melodic piece. Sustaining trills in the base or treble through many measures is never easy. Beethoven's Waldstein Piano Sonata is notorious for that.
Friday, December 11, 2020 |
J.S. Bach Sinfonia No. 6 and 7 - contrasting styles. No. 6 in E Major is melodic and feels waltz-y (mis-leading in the sense that there might be a tendency to play it as if the notes were triplets when they aren't). Thus, a gentle approach might be required. No. 7 is in E Minor, and is just another contemplative piece in a Minor key.
I've been putting the finishing touches on Mozart's K. 570 Piano Sonata. I am looking forward to this one.
Wednesday, December 02, 2020 |
J.S. Bach Sinfonia No. 3 - bubbly, playful. The piece is brief, but with a bit of intricate or tricky passages in terms of range. There is a fine line of trying to play it delicately or playfully, more energetically / accurately, or even altogether. Interpretations can be spontaneous, or it can be planned ahead (you would already have an idea of how you would like to play it). It depends on the piece.
J.S. Bach Sinfonia No. 4 - beautifully somber, a bit melancholy.
Thursday, November 26, 2020 |
J.S. Bach Sinfonia No. 11 - very contemplative, almost as if deep in thought. I approached this piece with that in mind, keeping the tempo at a gentle pace.
More to come on the journey in completing or refining the Three-Part Inventions - without any repeats, these are not long pieces. But must be approached in a way as such, to get the most out of them. Never rush short pieces.
Sunday, November 22, 2020 |
J.S. Bach Sinfonia No. 14 in B-flat Major - the intention was to make this piece really sing. To me, it is a like a solemn, tranquil piece (sort of like a choir piece). One of my favorites for sure. I'll be back to Beethoven, but the plan is to do most of the Three-Part Inventions (if not all).
Ultimately, I'm looking at Piano Sonata's K. 570 and 284 from Mozart eventually. I've been re-focusing on them.
The ability to play an instrument (playing or composing a melody as a bonus) with a physical condition or a debilitating condition is inspiring in of itself. Beethoven became deaf, but still composed (and some of his most glorious works I hear were from the late years). Never let it stop you from enjoying or learning music.
Tuesday, November 17, 2020 |
J.S. Bach Sinfonia No. 9 in F Minor - very mysterious, dissonant piece but at the same time hauntingly beautiful. I used to be turned off by these types of pieces, only realizing recently that there is beauty to some dissonant pieces. It felt like a very somber or brooding conversation taking place. But at the same time, tranquil and peaceful. Thus, the mysteriousness of it all.
I'll have a few more select Three-Part Inventions uploaded eventually.
Sunday, November 15, 2020 |
I have some select Sinfonias (Three-Part Inventions) in mind for some more J.S. Bach (some new ones, some re-records). You find or discover more beautiful melodies in all kinds or types of pieces in different keys. As an on-going process or learning experience, it is imperative or necessary to take things with a patient / relaxed state of mind in learning pieces. Immerse yourself. I put off on J.S. Bach for so long, but I should have practiced them or got into them much earlier. It would have made learning other nuances in other pieces from other composers much easier.
Sunday, November 08, 2020 |
To celebrate Beethoven's 250th, yesterday's practice / play repertoire consisted of three Piano Sonatas: the popular "Moonlight" (the third movement was rusty, requires more practice again), No. 15 (finishing up the third movement anyway), and No. 7 ( which might be a possible upload).
Anyway, get yer Beethoven on!
Friday, November 06, 2020 |
I have some more J.S. Bach Fugues, as well as re-recording and / or some new Sinfonia (Three-Part Inventions). The process of cleaning up and refining old pieces is always a work in progress, and it's a learning experience. The ultimate test would be an actual performance. In a recording, one can do as many takes as one likes. It's a gradual process as well as to relax even more, to come to a point where over-thinking or trying too hard / trying too much would gradually be gotten rid of. I realize having J.S. Bach as a regular in one's repertoire is absolutely essential.
The Beethoven "Pathetique" first movement is a very dynamic, dark movement - it sets the serious or grave mood / emotion for the entire Sonata. The second movement is the lull in it, with its somber beauty. Now, I just have to finish up the third movement of No. 15. And then one more Piano Sonata.
All this has given me a new perspective on Mozart (and realizing the difficulty in expressing / playing the pieces. But again, you don't want to over-think things). I'm thinking of two Piano Sonatas I've been refining or working on (K. 284, K. 570). No timetable, just continuous practice / playing.
Saturday, October 31, 2020 |
What I've learned about J.S. Bach's epic "Goldberg Variations". It is comprised of various types / forms of pieces - dances, canons, lullabies, gigue, arias, etc. It's absolulately a keyboard masterpiece, one that I am certainly not going to try to tackle anytime soon (except for a few variations only). When approaching this, look at each variation with a different personality or character (somber, energetic, lonely, etc.). Like reading a book, you don't want to rush through it but take it one chapter at a time. 30 variations is quite daunting, and kudos to anyone who can tackle it.
It's time for the First Movement of Beethoven's "Pathetique" Piano Sonata. I always had trouble with the rhythm and pacing of this one. I used to rush it, or play it way too quick and unevenly. It's amazing how much more you can get out of a piece, once you can understand the overall structure or dynamics of it. It's always important to learn the sheet music first, and have a sense of how you want to approach the piece as a whole.
The third movement that I just uploaded recently - it can be a very emotional rollercoaster of a piece. Something that has a very addictive or catchy beat / rthymn. It was a dance beat or music in one of the dancing video games (Dance Dance Revolution), and one I enjoyed playing it as a dancing game as well.
Saturday, October 24, 2020 |
The third movement for Beethoven's Piano Sonata No. 15 is almost there - the last section or the last few bars has been troublesome, but I think I finally got the notes. It's just a matter of execution now. Identifying or mastering the pattern or arpeggio is always a challenge.
In the meantime, I've decided to go ahead with the well-known "Pathetique" Sonata, beginning with the second movement. I uploaded the correct take - it took a quite a few takes (some a bit slower). Ultimately, I wanted the take to be as lyrical as possible. This second movement (Adagio cantabile) can be expressed very lyrically, as it has such an emotional, beautiful melody. Often times, grows dark or tragic as well.
There is one or two more J.S. Bach Fugue as well, before focusing on Schubert and Liszt again.
Wednesday, October 14, 2020 |
Beethoven's Piano Sonata No. 15's third movement is in progress, and should be hopefully be ready for the final recording of this grand piece. I re-visited the "Pathetique" - one of the popular or well-known Sonatas from Beethoven (the ones with nicknames). I am already familiar with it, but just need to polish / refine it. It is something to consider as the next Sonata.
Some Schubert possibilities:
Adagio D. 612
Impromptu No. 2
I definitely have to add some Schubert.
Monday, October 12, 2020 |
I definitely plan on completing Beethoven's Piano Sonata No. 15 - Second and Third Movements coming up next. I include the repeats as well, which can get tiring if you have to do multiple takes. Stamina or endurance is definitely a work in progress. One movement at a time.
Refining or polishing a piece includes not just the notes, but also others as well - rests, staccatos, crescendos, phrasing, accentuations, etc. They might not be a big of a deal at first, but can make a world of difference in terms of whether a piece is finished or not. I felt a lot of passion and emotion in this Piano Sonata, especially the first movement. The melody in the descending arpeggios in the bass (after the repeat) culminates into a powerful, emotional theme which I interpreted as dark with anguish. The movement begins gently and sweetly (dolce-like). And after the repeat, this second theme begins. It was what caught my attention or got me hooked.
I want to at least record or upload two Piano Sonatas. After No. 15, it could be the Waldstein or one of the earlier ones. I've been practicing some of these on and off.
I could only reach a 10th. Composers who compose pieces with large ranges between notes and / or big, fat chords might have such large reach (Liszt, Rachmaninoff, and now J.S. Bach?).
Sunday, October 04, 2020 |
I really didn't appreciate the value and greatness of J.S. Bach's music, until I began to get back into it (and watching the "Goldberg Variations" documentary on Lang Lang's Youtube). It's a vast, intricate repertoire. I think I'll include a piece or two in my practices as a regular (or as much as possible) - certainly, an important composer as a foundation for classical music.
Pedal management is a work in progress for me - proper usage of pedaling (soft, middle or damper) can make a difference in a performance or a recording. It's a continuous learning experience. I often play or practice certain passages or pieces intentionally more dry than others. Other than wanting to let individual notes stand out without diluting or blurring them too much, there needs to be some sort of balance or compromise.
Beethoven's Piano Sonata No. 15 - it is arguably my favorite (among that are familiar to me that is). Although I am not very familiar with the late Piano Sonatas after 20 (or only heard a handful of them) - other than the Waldstein or Hammerklavier. A re-record is inevitable - everyone can always learn from, or improve on their previous takes or recordings through re-listening to them. You are your own best critic - everyone is going to have their own preferences, biases or opinions.
Sunday, September 27, 2020 |
Franz Liszt's "Romance" S. 169 - it's melancholy, expressive, dark / brooding. I wanted to play this somewhat at a Moderate pace, a bit rubato (in the middle section especially), and certainly express the brooding, dark atmosphere (definitely legato). I love this piece - it's becoming one of my favorites. I'm sure Liszt has plenty - but they are plenty difficult to tackle for sure. What I'm learning, or what I've learned, is that everything is doable or learnable. It's a matter of patience, technique and the desire to pursue it. I like the Consolations as well, but No. 2 is my favorite.
I'm continuing to work on polishing or refining "Un Sospiro". This is a piece I hope to upload or record one day.
It's also time to delve into some Schubert (Impromptu No. 2, and other pieces). Schubert is also an essential composer in any repertoire.
What I'm continuing to learn, is not to try to do too much too soon.
Sunday, September 06, 2020 |
Some Franz Liszt pieces as possibilities:
F. Liszt, Consolation #2
F. Liszt, Romance S. 169
F. Liszt, Un Sospiro
Franz Liszt is an essential composer in any pianist's repertoire - not easy by any stretch of the imagination. Technically demanding for sure - a lot of pieces where the reach isn't quite there for me. As in all endeavors, all things are possible - it just takes patience and practice. Know your limitations as well - tackling something that cannot be polished or cleaned anytime soon might not be worth the energy or time. More important for me, is the melody or theme of a piece - I need to be inspired or motivated by it, not because it's a popular piece or whatnot.
It goes without saying that J.S. Bach's Aria from "Goldberg Variations" is one of the most beautiful melodies ever - rivaling Mozart's melodies from Piano Concerto No. 21 second movement / K. 533 second movement, among others.
Saturday, August 29, 2020 |
I used to have the problem of my fingers not being able to hit certain notes consistently or negotiate tough passages, in particular with my left hand. Especially when it comes to endurance and stamina - which is still a work in progress. It takes awhile to overcome that - with practicing. The only advice that I can give is to begin practicing difficult pieces very slowly, and build it up over time. Never rush it as if to finish the piece in a hurry. If there is still trouble, then perhaps practicing or playing pieces as a finger exercise (or pieces that are meant for finger exercising - Hanon, Czerny, etc.).
I'm sure Lang Lang can give more alternative, practical advices.
Tuesday, August 11, 2020 |
Franz Liszt - I'm thinking of focusing on this composer after J.S. Bach. I plan to re-do some Consolations on the current piano that I have, as well as returning to "Un Sospiro", a "Hungarian Rhapsody" among others. Liszt is considered (if not the most) one of the most technically challenging composers for the piano - but from strictly composing piano pieces, certainly a masterful one at that. Some pieces require tons of patience, and need to be learned slowly at first - to get into the rhythm and pacing of the piece compositionally and correctly. Afterwards, you can feel free to add your own interpretation or experiences to it.
There are quite a few "epic pieces" that I've returned to (Schubert's Wanderer Fantasy, Liszt's Danse Macabre", Chopin's Polonaise-Fantasie, etc). They are just for my own enjoyment - no plans on recording them (unless I have the time or the desire to commit them to memory - they can be quite long).
Updated recordings / uploads:
J.S. Bach, Prelude & Fugue BWV 876
J.S. Bach, Prelude & Fugue BWV 884
W.A. Mozart, Piano Sonata K. 284 (second movement)
P. Tchaikovsky, select short pieces (album for the young)
Sunday, August 02, 2020 |
I agree that J.S. Bach is "one cool guy" haha, or the "Big Daddy Cool" of classical composers (same can be said of the other two of the Big 3 - Beethoven, Mozart - in their own diffierent or unique way). Updated recordings / uploads:
J.S. Bach, Prelude & Fugue BWV 876
J.S. Bach, Prelude & Fugue BWV 884
Sunday, July 26, 2020 |
Updated recordings / uploads:
J.S. Bach, Fugue BWV 956
J.S. Bach, Prelude & Fugue BWV 876
J. Haydn, Gypsy Rondo in G (eventually)
Right now, I'm focused on J.S. Bach - so the Haydn is on hold, perhaps after a few more Fugues.
Sunday, July 12, 2020 |
Updated recordings / uploads:
J.S. Bach, Fugue BWV 952
J.S. Bach, one or two more Fugues
J. Haydn, Gypsy Rondo in G
I did not have an efficient left-hand back then, and J.S. Bach is left-hand intensive. It's as if the left-side of my brain just turned on or something recently. Still, need more conditioning and strengthening. And it can happen with more repetition and practice. The melodies are glorious, and no wonder why J.S. Bach is one of the standards - and an essential composer in any pianist's repertoire.
Maestro Lang Lang brings a unique, and refreshing interpretations to works. If he really wanted, he could just play like any other stiff traditionalists (I'm sure Lang Lang respects and adheres to period pieces - no questions there). This is the year 2020 - we're in the future literally. Any bozo pianist can play what's on the sheet music, or robotically / mechanically. Other than the VGP, these two have a vast repertoire and can play like no other.
It's apparent that Lang Lang's global success and pop star status is the source of jealousy and target of racism for many years (certainly against many up-and-coming, successful Asians as well). It's been that way. For me, it's easy to just ignore the crap out of their existence. It's the key to moving on, and just focusing on your success and more empowerment.
Sunday, June 21, 2020 |
J.S. Bach's Fugue BWV 948 has been a doozy - it might take awhile to smooth things out. However, these should be ready:
J.S. Bach - Fugue BWV 947
P. Tchaikovsky - Nocturne Op. 19 No. 4
Some of my favorite video game or non-classical music pieces - Banjo-Kazooie Intro, Final Fantasy 7 Chocobo theme and Final Fantasy 10 - Zanarkand. Perhaps Zelda -Breath of the Wild as well.
Thursday, June 04, 2020 |
Next recordings / videos update:
J.S. Bach, Fugue BWV 947
J.S. Bach, Fugue BWV 948
J. Haydn, Gypsy Rondo in G
W.A. Mozart, K. 533, K. 570 and / or K. 498 (eventually)
Monday, May 18, 2020 |
In regards to new repertoire, it's time to find some new Bach. Most likely some Fugues and perhaps a Toccata. Aside from the Two-Part and Three-Part Inventions, I haven't played much Bach. One thing is for sure - if you can master Bach, almost everything becomes easier (unless you have to deal with the heavy hitters that compose huge, fat chords in their pieces haha).
W.A. Mozart - K. 533, K. 570 and / or K. 498. I appreciate each movement that much more.
Saturday, May 09, 2020 |
Next recordings / videos update:
P. Tchaikovsky, Nocturne Op. 10 No. 1
F. Mendelssohn, Song without words (select Children's pieces)
J. Haydn, Gypsy Rondo in G (eventually)
W.A. Mozart, Piano Sonata K. 533 / 570 / 498 (eventually - or just one of them, if there is time)
Thursday, April 30, 2020 |
The next recording is going to be another Tchaikovsky - "Nocturne" Op. 10 No. 1. Perhaps a Mendelssohn or two as well.
New composers / pieces - Haydn, Grieg and perhaps Bartok.
Sunday, April 19, 2020 |
Franz Schubert for sure. If possible, The "Wanderer" Fantasy eventually - I think that'll be a long-term goal (once I'm comfortable - it's progressing). And perhaps one Impromptu. As for another Liszt, the "Danse Macabre" as another long-term project to refine and finish.
In the meantime, now for some more Mendelssohn and Mozart. And perhaps a side piece here and there.
Sunday, April 05, 2020 |
Next recordings / upload update (to be determined):
"The Promise of the world", J. Hisaishi "Howl's Moving Castle"
Romance, P. Tchaikovsky
Album Leaf, E. Grieg (new piece - possible)
Sunday, March 29, 2020 |
For "Piano Day" celebration, here was my run-through of composers (in order):
J.S. Bach, Two-Part Inventions (select)
F. Lizst, Consolations No. 1 / No. 2
P. Tchaikovsky, Romance
S. Rachmaninoff, Moment Musical No. 1
F. Mendelssohn, Song without words (Posthumous) / Spring-song
F. Chopin, Nocturne Op. 9 No. 1
"The Promise of the world", J. Hisaishi from "Howl's Moving Castle"
R. Schumann, Scenes from a childhood
F. Schubert, "Wanderer" Fantasy
L.v. Beethoven, Piano Sonata No. 15
W.A. Mozart, Piano Sonata K. 498a
Love these pieces. I hope all pianists played their repertoire or preferred pieces on this occasion. It was about 4+ hour runtime - it's been awhile with Bach, so needed to practice it again a few times. As well as finishing up or still practicing the K. 498.
Tuesday, March 24, 2020 |
Today's repertoire / practice theme was "Fantasy":
Schubert, "Wanderer" Fantasy
Chopin, Polonaise-Fantasie (returning to it!)
W.A. Mozart, Fantasy K. 475
What's next, Beethoven's Choral Fantasy? heh. I have a fetish for "Fantasy" pieces.
I'm not sure when the next recordings / upload is going to be. But it'll be two pieces among listed below in the previous entry for sure.
As the world is quarantined and going through a crisis, we all need some kind of uplifting energy for the spirit. Other than humor, for me - music is the therapy.
Monday, March 09, 2020 |
Schubert's epic Fantasy piece is coming along.
Updated / revised:
"The promise of the world", J.Hisaishi from "Howl's Moving Castle"
W.A. Mozart, K.570 / 533 / 498a
L.v. Beethoven, Waldstein Piano Sonata
Mendelssohn, Folk Song
Chopin, Nocturne Op. 9 No. 1 / Op.32. No. 2
Monday, February 24, 2020 |
Franz Schubert's music might not be as mentioned or talked about as often as other composers, but they are absolutely noteworthy and melodic - he has Sonata's, vocal works, and some other piano pieces. I would consider the "Wanderer" Fantasy one of the more difficult C Major pieces out there. I'm returning to it to smooth it out (eventually) - the final section is quite the doozy. When it comes to technically difficult pieces, begin slowly and build up your stamina and precision. I think most of us (if not all) tend to be overly anxious and try to play at a regular tempo prematurely.
The current repertoire I'm working on or playing / practicing:
Mendelssohn, "Folk Song" / "Rondo Cappricioso"
Beethoven, "Waldstein" Piano Sonata
Chopin, some more Nocturnes
A Tchaikovsky piece / some Rachmaninoff Preludes
W.A. Mozart K. 498a (ongoing)
My practice / playing sessions changes depending on mood or inspiration. On another day, it can be a full run through of Studio Ghibli music, Tan Dun and just Mozart. At this point, any pieces I'm practicing can be up to record and upload again.
Monday, February 10, 2020 |
I'm also considering two more Chopin Nocturnes - Op. 9 No. 1 and Op. 32 No. 2. So what do the four Nocturnes have in common? I've listened to some performances from individual artists or pianists (for each piece - Horowitz, Lang Lang, etc), and was inspired to learn them as well - mesmerized is the word I guess. Op. 27 No. 2 is most likely one of my favorite pieces. There are two moments in the piece that stand out - in the middle, where an apparent climactic frenzy of triplets turns or resolves into "dulce", perhaps should have played it a bit more gently or softly. And at the end - after the complex ornamentation in the right hand, it resolves right into an "appassionata" to the conclusion.
Op. 72 No. 1 - quite dark and brooding. Op. 32 No. 2 might feel a bit waltzy, but it is the bunch of chords in the middle section that is intriguing. Op. 9 No. 1 - this appears to be well-known among listeners and pianists alike.
Overall, Nocturnes are melodic pieces that can evoke emotions of the night or evening - subtle, brooding, melancholy.
Wednesday, January 15, 2020 |
Video recording list / pieces:
F. Chopin, Nocturne Op. 27 No. 2
F. Chopin, Nocturne Op. 72 No. 1 Posthumous
W.A. Mozart, K. 533 Allegretto
W.A. Mozart, K. 570 Andante
W.A. Mozart, K. 498a (as a bonus)
Sunday, January 05, 2020 |
New year, new decade - what new repertoire am I going to learn or immerse myself in? Music is eternal and never stops - the existing repertoire is always going to be with me. I might have to re-learn some, but they'll always be there. I was a bit rusty with Bach's Two-Part and Three-Part Inventions the other day, and had to go back and play them again. The Two-Part Inventions and some more Three-Part or Sinfonias (or re-do's) are possibilities. If you can master the left hand, you're all set for any kind of repertoire practically.
Piano Sonata K. 498a is a wonderful piece - I grew to love it. The third movement most likely inspired Schumann's "The Happy Farmer". The K.498 third movement has some nice key changes from B maj to G back to B-Flat in one sequence. It might be a possibility for a future recording or video. It's a Sonata that is not really known or out there - as I just found it recently. I'm not sure how many Sonata's are out there, and I'm curious to find out more. But I think that is it, other than other 20+ or so known ones. The third movement of K. 533 is most likely as the next recording I think (eventually the first as well).
Let's continue to share music, and if you are fortunate enough to perform or teach it - all the more power to ya. I choose not to memorize (although I could - the piano solo Piano Concerto No. 20 second mvmt for instance), it's just that it takes more investment and effort for me - hence, it would take much longer. In the end, music is music. For me, familiarizing and feeling the music helps a lot in memorizing notes.
Sunday, December 22, 2019 |
K. 498a and K. 533. Enough said - More thoughts to come...
Tuesday, November 19, 2019 |
K. 284 Variation #12. I'll have to upload that final variation separately - I still have to refine it up to tempo eventually. But the intention was to end the Variations on #11, which seems fitting since I consider it the most beautiful variation of them all anyway. But of course - the movement is not complete without all of its variations.
I had to record the Variations into two separate videos, since the repeats would make the runtime quite long. I don't have a video editor to include variation markings on the video, but I think the separation should be noticeable if anything.
Monday, November 04, 2019 |
K. 284 Variations. I think this'll be the next upload. A lot of movements (from Sonatas or Concertos) are standouts or can make standalone pieces, due to the sheer musical euphoria and beauty. A lot of the music expresses one of beauty, levity / playfulness, tragedy / sadness, etc. What's a Mozart without Variations, and I've been getting it up to par. Hopefully, the recording before Thanksgiving. Why stop there with Amadeus.
The video recordings in the Mozart page are pieces that I found the most inspiring and beautiful to hear in terms of musical orgasm or euphoria - not necessarily absolute favorites or the most fun / inspiring to play. Of course, there are quite a few them in terms of orchestral, ensemble or vocal music - but of course, I can only play or upload of what constitutes piano music.
Sunday, September 29, 2019 |
I'm sure Mozart has quite a few melodic, beautiful piano-only pieces (such as the Fantasies). However, K. 511 and K. 540 are the standouts for me. I intentionally sought out the more difficult ones, including the Fantasia. In fact, that might be the next re-do. I remember thinking that I wouldn't return to pieces that I actually did not really finish or refine, recordings or videos that were only partially finished or not refined at all. But I feel that I'm confident enough to unapologetically to go for it all (if time permits and for pieces that I enjoy) - basically starting over or beginning anew. Practicing, recording, and re-doing is a cycle - one that you can learn from until you become confident about it. It's been a transition, as I used to try too hard and was more tense or was not in the right frame of mind before (which did not allow the music to flow naturally). Thus, it was difficult to learn or understand the piece. Even now (and I'm sure it's similar with all musicians), it's still a learning process and we might never perfectly understand a piece.
K. 511 had intricate phrases in both hands, chromatic passages littered with accidentals (a cross between a Chopin and a Rachmaninoff - without a lot of chords. Mozart is not known for chords but beautiful arpeggios or passages). Such as Rach's "Moment Musical", I didn't think I would ever finish this. But it definitely required a lot of practicing - not hours at a time everyday, but spread apart within my practice repertoire. But I'm happy that I didn't give up on it. It still isn't perfect but then again, probably nothing is - plus, I still struggle with nerves and with the difficulty in relaxing - it comes with thinking too much sometimes.
I'm thinking about Piano Sonata K. 284 at some point - one movement at a time.
Thursday, September 19, 2019 |
K. 540 Adagio. It's a beautiful piece, in particular as a standalone in a non-Sonata format. It was just a matter of time in refining it - there were some troublesome phrases. It certainly is true in a sense not to think too much about the notes, but let the music flow or feel the music, let it be the guide. The next piece planned is K. 511. Wanting to record / upload that for some time, but it was on the backburner for awhile since there were other pieces I was inspired to practice or play more at that time. Eventually.
It's time for more.
Wednesday, September 04, 2019 |
Beethoven's 250th. The movement has begun (#Beethoven2020) - sounds like a damn presidential campaign for classical composers heh. For sure, L.v. Beethoven is one of the greats and probably the most well-known. His pieces are powerful, majestic and grand. I'm sure there are musicians who have performed Beethoven quite astoundingly throughout the world. Here is a website for Beethoven's playlist, recordings and "Top Ten Facts":
Might I add to the "Top Ten Facts" or "Fun Facts" is that Bill & Ted once "borrowed" Beethoven via a telephone booth for their history report haha.
On a serious note, I have my modest recording or rendition of Piano Sonata No. 15 (arguably my favorite) and a medley. More to come hopefully, although not soon (No. 2 or No. 5 perhaps).
Sunday, August 18, 2019 |
I'll be uploading Chopin's Nocturnes next (one or two at a time). They are all melodic and beautiful, but I have to say that Op. 27 No. 2 is the most beautiful and probably the most complex of them all. This is musical bliss or heaven for sure. The pieces are known for or characterized by complex phrasing with an odd-type ratio, where are there much more notes (decorative notes?) to be played on the right-hand than the left in a given measure. They are difficult to play evenly or at tempo sometimes, but it takes practice. I think there is somewhat of a leeway in precision playing, but it is imperative that a pianist gets the gist of it at the very least (if it's not way off).
Friday, August 09, 2019 |
Some possibilities for the next recording:
F. Chopin, Nocturne Op. 32. No. 2
F. Chopin, Nocturne Op. 37 No. 2
F. Chopin, Nocturne Op. 27 No. 2
F. Chopin, Nocturne (Posthumous) Op. 72 No. 1
F. Mendelssohn, Folksong Op. 53 No. 5
F. Mendelssohn, Six Children's Pieces (select)
L.v. Beethoven, Piano Sonata No. 2 (still in progress, perhaps further down the road)
Wednesday, September 04, 2019 |
Beethoven's 250th. The movement has begun (#Beethoven2020) - sounds like a presidential campaign for classical composers haha. Anyway, Beethoven is certainly one of the greats - his repertoire his majestic, powerful and grand. I'm sure there are musicians who have performed or recorded Beethoven from all over the world quite astoundingly. Here is the website for a playlist, recordings and "fun facts":
Might I add to the "fun facts" is that Bill & Ted "borrowed" Beeth-oven for their history report haha.
On a serious note, my modest recording or rendition of Piano Sonata No. 15 (arguably my favorite) and a medley on my Beethoven composer page. Hopefully, some more later (No. 2 or No. 5).